It was the third decade of the 20th century, about the middle of the roaring 20s. Technology and industrialization, along with the
Great World War of the prior decade, had helped to transform the
United States into a major world power, and with that
transformation New York City became the world's powerhouse.
Calvin Coolidge, who had been the Vice President of the United
States under Warren G. Harding, was now the President since
Harding had suddenly died in office on August 2, 1923. At that
time there was no way, unlike today after the passage of the 25th
amendment to the Constitution in 1967, to nominate and confirm
a Vice Presidential candidate to fill the vacancy created by
Coolidge’s ascendancy to the Presidency.
During 1924, Coolidge ran for President on the Republican ticket,
with Charles G. Dawes as his running mate against John W. Davis
and Charles W. Bryan on the Democratic ticket. In the November
1924 election Coolidge and Dawes won the election, but in those
days, since inauguration day was still March 4, of the following
year, Coolidge would have no sitting Vice President until after the
inauguration in March.
In New York City, John F. Hylan was the Mayor. New York City
had just become the most populous city in the world, having
overtaken London.
January, 1925, arrived and departed like a polar bear and New York
City was the unwelcome recipient of almost 27 1/2 inches of snow,
the most ever recorded for any January up to that time (this record
was finally eclipsed in January, 2011, when the city recorded 36
inches of snow). On January 20, 1925, New York City got hit with
two blizzards in one day. On January 27 more snow fell and then
the coup de grace; another giant storm on January 30 that affected
the entire metropolitan area.
But, on January 24th of that year, on that cold and wintry Saturday
morning the temperature was hovering around zero degrees, and
David Franklyn Yerex, a professional photographer who had worked
for a number of years for Underwood and Underwood, the world’s
largest producer of stereoscopic cards, arose early and took his
photographic equipment to Highbridge Park just north of the High
Bridge on the Manhattan side before dawn and set up his camera to
get a good view of the High Bridge and the Harlem River. David
grew up with cold weather. He had been born in a small town in
Ontario, Canada, in 1876. But, despite all the adverse weather
conditions, at precisely 9:11 am he took a picture that made him
somewhat of a celebrity. He had taken a very rare picture of a total
eclipse of the Sun at precisely the right time.
It was known for quite some time prior to the actual eclipse that this
eclipse was going to come on January 24th, but in order for a viewer
in New York City to get a view of the total eclipse the viewer had to
be in the very narrow path where the eclipse was total. In fact, had
Mr. Yerex been south of approximately 96th St. he would have only
seen a partial eclipse. Below is the map prepared by Consolidated
Edison Companies based upon actual observations of where this
particular eclipse was total and where it was only partial. You will
note the somewhat diagonal dotted line (actually it is going almost
directly east/west) through the northern part of Central Park, starting
at about 95th St. at Riverside Drive and ending at about 106th St at
the East River. Points south of this line were in partial eclipse for the
event and points north of this line were in the path of the total eclipse.
Below is a local news article on the anticipated path of the area
where the total eclipse would occur on that day.
You can see that New York City is on the southern fringe of thearea covered by the total eclipse.
The following beautiful and rare art photo of the Total Eclipse of
the Sun was taken by David Yerex from Highbridge Park on
Washington Heights, overlooking the Harlem River and the Bronx,
New York City, January 24th, 1925 at about 9 A.M.
 |
| Image copyright 2016, Friends of the High Bridge, LTD. |
It shows the historic High Bridge before the steel span over the
Harlem River would be installed a few years later. Also, the
street lights were turned on during the eclipse; and you can see
the small tug going up the river; and smoke from a passing train
still visible; also shown is the reflection of the eclipse in the water.
This is the only photograph of the “Great Event” which shows the
marvelous streamers of the Corona that resemble an arrow
shooting through the disk of the Moon.
A beautiful hand colored enlargement of this picture was hung in
The American Museum of Natural History and has been highly
endorsed by astronomers, artists, photographers and other
capable critics who have proclaimed it to be a stunning picture of
the eclipse.
To get an idea of how infrequently a celestial phenomenon such as this happens, the last previous total eclipse in New York City
was in 1838, just as the Croton Aqueduct was starting to be
constructed, and that eclipse was not a total solar eclipse, it was
an annular solar eclipse. You would have to go back to the year
1478, before Columbus even discovered the New World, to find
the last total solar eclipse to pass over what is now called New
York City. And, if you are interested to know, the next total solar
eclipse to pass over New York City will be in the year 2079.
David Yerex, would go on to take pictures of other future eclipses
including the total solar eclipse of August 31, 1932 in New
Hampshire, and the total solar eclipse of April 7, 1940 in Florida;
and was honored by Life Magazine in 1940 with Life Magazine's
Picture of the Week Award for the picture of the total eclipse of
April 7, 1940, taken by him in Green Cove Springs, FL, just south
of Jacksonville.
David Yerex led a colorful life. He lived in Providence, RI upon
immigrating to the US in about 1893 and then met and married
Annie McGregor Belmore after she immigrated from Nova Scotia
to Boston in 1898. They moved to Boston where he was with the
firm of E. Chickering. He was noted for his critically important
photographs during this period of time. He divorced Annie and
moved to New York City in the early 1910s, where he was
employed by Underwood & Underwood. Underwood & Underwood
was the world's largest producer of stereoview cards. It was during
the 20s that the stereoview cards were losing market share and
the firm was moving into photo images for the press, much like AP
and UPI. He became naturalized as a citizen in 1917 and married
a local girl named Helen of Irish descent. In 1920 he had moved
to Washington Heights on 160th St. By the mid 1920s he had his
own studio in the Bronx, not far from the High Bridge. Perhaps he
walked the High Bridge from the Bronx with his equipment that
cold wintry day to shoot the picture of the eclipse. During the
1930s he operated a photo studio providing portraits and other
photographic services for the general public while he pursued his
interest on the artistic side of the field.
Around 1940 he moved back to Boston and lived there until his
death. Very few of his known works still survive.