Monday, September 15, 2025

Mystery Island



                                                          

Every morning, without fail, I find myself at the window, staring out toward an island just off the coast. It’s a place I’ve come to know intimately through years of watching, yet it remains forever mysterious. The island is covered in thick, lush vegetation—a jumble of trees, shrubs, and vines that seem to grow wildly without human intervention. At times, it is covered with a haze, making it appear impenitrable. Sometimes, in the early morning light, I think I can see flashes of green through the canopy, hints of what might be hiding within. But as the day wears on, the island remains silent and still, an untouched patch of the world that calls to my curiosity.

I’ve never seen a boat go there, nor anyone venturing near its shores. Over the years, I’ve watched countless ships and small boats pass by, but none have ever headed toward that mysterious place. It’s as if the island exists in a separate time, separate space, disconnected from the bustling world beyond the coast. The locals around here don’t speak of it much—perhaps because it’s always been there, a quiet sentinel of the sea, or maybe because no one dares to venture close.

Sometimes, I imagine what could be on that island. Could it be uninhabited, left as a secret sanctuary? Or might there be something more—an old ruin, a forgotten relic of a long-lost civilization, hidden beneath the thick greenery? I think about the stories I’ve heard of explorers and adventurers who chase after the unknown, and I wonder if they’ve ever tried to reach it. Yet, as far as I know, no one has succeeded.

Each day, the island’s mystery deepens. The winds shift, stirring the trees and causing shadows to dance on the vegetation. The sun casts a golden glow, making the leaves shimmer like emerald flames. I feel a strange sense of longing whenever I look at it, a desire to step across the water and uncover its secrets. But the distance is too great, and I’ve never seen anyone brave enough to attempt the crossing.

Still, I keep watching, imagining stories for the island. Maybe someday, something will change—perhaps a boat will appear, or I will find a way to explore its hidden depths. Until then, it remains my silent, verdant mystery, just beyond my reach, a quiet reminder of how much of the world’s secrets we’ve yet to discover.

Sunday, September 14, 2025

Twelve is the New Ten: The Age Advantage


In the sunny town of Willowbend, the local Senior Center is nestled between a sleepy lake and the world's most enthusiastic knitting club. The Senior Center hosts guest speakers who deliver talks to its members regularly. This week, they had scheduled their own local geriatrician, Dr. Sanjay Patel, to speak to the group. He was to talk about aging and how people around the globe celebrate their elders.

When Dr. Patel started his talk, he told them about how in India the Hindus celebrate Sahasra Purna Chandrodayam.  He explained, “In Sanskrit, sahasra means ‘1000’, purna means ‘full’, and chandrodayam means ‘dawn of moon’. This is a special occasion and celebration organized for an elderly member of the family who has witnessed 1000 full moon days during their lifetime. The 1000th full moon of a person's life occurs when they are approximately 80 years and 9 months old.  The celebration is meant to provide mental and physical strength to that person in their old age and to encourage them to pursue spiritual liberation from all problems in this life.”

He continued, “For some special few individuals, this particular date also just happens to be the date of the Winter Solstice -- The day when the sun rises the least in the sky during the year.  For these select individuals, there is a very special celebration.”

Switching to Japan, he stated, “Sanju”, a person's 80th birthday, is so called because the character “san” (傘) contains the characters for eight (八) and ten (十). Both sanju and beiju (88) are celebrated by wearing gold, giving thanks, and wishing for more happy years for the personAlso, for a citizen’s 100th birthday, a commemorative silver sake cup is given by the Prime Minister as a token of gratitude and honor. Reaching the century mark is not uncommon in Japan.” 

Dr. Patel went on, “In Korean culture, a 60th birthday is directly related to the 60-year calendar cycle of the lunar calendar. It is thought of and celebrated as a mile marker for completion, and a send-off into the next 60-year cycle. Children honor their parents’ passage into old age with an upbeat celebration and wish for an even longer and more prosperous life.”

He then noted, “In China, the 60th birthday is also matched with a big celebration, and the celebrating continues every decade (70 years, 80 years, 90 years, etc.) until the person’s death. The older the person is, the bigger the celebration.”

Finally, he mentioned, “In the United States, approaching 100 years of age, you, or a close family member, can often reach out to the office of your State Governor or the President of the United States for a personalized greeting.”

At the conclusion of the talk, Claire quipped, “I have a peculiar problem: birthdays are starting to feel a bit… heavy.“

“I turned seventy-eight last week,” grumbled Harold, adjusting his suspenders as he squinted at the bingo card. “I swear, my knees heard the number before my ears did.”

“Try turning eighty-two,” chimed in Martha, who was knitting a scarf long enough to reach next Tuesday. “Every candle on the cake feels like a personal insult.”

The group nodded solemnly. Getting older was a privilege, yes. But did it have to sound so old?

That’s when Fred, a retired math professor and full-time amateur scientist, cleared his throat dramatically. He quipped, “Ladies and gentlemen—senior citizens of Willowbend—I propose a revolutionary idea: from this day forth, we measure our age in the duodecimal system.”

Blank stares.

“Base-twelve!” he beamed, pulling out a whiteboard from seemingly nowhere. “It’s how we should’ve been counting all along! Twelve has more divisors, aligns better with the number of months in a year, it's mathematically elegant, and more importantly… it makes us sound younger.”

Martha raised a skeptical eyebrow. “Fred, are you suggesting we lie about our age?”

“No, no, no,” he replied, adjusting his bowtie. “We’re just… reframing it. If anything, it’s numerically accurate—technically honest. For instance, instead of being 84, I’m now 70… in base twelve.”

Gasps of delight filled the room.

“Seventy! Why, I haven’t been seventy in a decade!” exclaimed Clara, who immediately stood up straighter.

Word spread like a particularly juicy piece of gossip at Tuesday Scrabble Club. By the following week, “Operation D12” had taken full hold.

The Willowbend Senior Center was transformed. The entrance boasted a freshly painted sign:
“Welcome to the Youthful Generation Twelve!”
Below it, a banner read:
“Aging gracefully—now with better math!”

The center’s receptionist, Peggy (chronologically 76, duodecimally 64), began handing out “New Age Cards” with every member’s recalculated birthday. You’d hear comments like:

  • “I just turned 60 again this year!”

  • “My grandson and I are both in our forties now—though he’s decimal, poor thing.”

  • “I’m officially younger than my Wi-Fi router.”

The doctors were initially confused.

Dr. Patel blinked at his patient’s chart. “Mrs. Henderson, you’re... sixty-six?”

“In duodecimal, dear. Don’t worry—I still need my arthritis meds.”

The local paper, The Willowbend Gazette, ran a front-page feature: “New Math at Willowbend.” The piece highlighted the “aging revolution” that was sweeping the town and causing an uptick in birthday cake sales.

Even the mayor got in on it, proclaiming every third Thursday of the month “Base Twelve Appreciation Day,” which mostly involved cupcakes, calculators, and lively debates about whether 100 (in base twelve, meaning 144) should be the new benchmark for "over the hill."

The true beauty of the duodecimal system wasn’t just in the math—it was in the attitude.

Suddenly, folks were taking up new hobbies. Clarence (duodecimal 71) began breakdancing at open mic night. Edna (base-twelve 60) joined a rock band, playing tambourine with more gusto than anyone in their decimal seventies had a right to.

“When you stop counting up so fast, you start living again,” she declared between sets.

Even tech-savvy grandkids started to notice.

“Grandpa, you’re looking great these days,” said eleven-year-old Maya during a video call.

“Thank you, sweet pea. I’m only 68 now!”

“…Wait, weren’t you 80 last year?”

“Duodecimal magic,” he winked. “It’s the math of the wise.”

The trend didn’t go global—yet—but in Willowbend, something had undeniably changed. They still had joint pain, hearing aids, and a firm belief that music stopped being good after 1974, but they also had something else: a renewed spark.

Because when you look at age a little differently, the years suddenly feel a lot lighter.

And in a world obsessed with youth, the folks of Willowbend had cracked the code—not to reverse time, but to redefine it.

But there was a hiccup when Hazel, aged 83, said, “Now, just hold on there one minute.  I have a problem with this new-fangled system you have just created.  Just how are you going to deal with someone my age?  My new registration card says I am 6B.”

It was at this point that Fred quipped, “Ah, the infamous 83—the uncooperative rascal of a number in the grand duodecimal scheme! Let me think about that and get back to you next week.”

The following week, when the Seniors' Age Conversion Committee (a very serious group that met every Wednesday between Tai Chi and pudding) took up the matter that 83 in base-10 translated to 6B in base-12, there was a brief moment of panic.

“Six… B?” said Hazel, squinting over her bifocals. “That’s not a number, that’s half a bingo call!”

Fred, ever the mathematical maestro, tried to explain. “See, base-twelve uses digits 0 to 11. After 9, we use letters: A for ten, B for eleven. So 6B is perfectly normal!”

“You want me to tell my great-granddaughter I’m 6B years old? She’ll think I’m a droid from Star Wars!” Harold protested.

So, the Willowbend elders put their heads together (after a short nap) and came up with three charming solutions:


1. The “Friendly Rebrand” Approach
Instead of saying “6B,” they’d just say, “Sixty-Bright.”
“It sounds optimistic,” Clara said. “Like I’m still sparkling.”

Some preferred “Sixty-Bee,” claiming it made them sound “busy, buzzing, and ready for mischief.”

2. The “Round Up, Feel Up” Rule
If a base-12 age had a letter in it, the person was automatically granted “youthful honorary status.”
So at 6B, you weren’t 83—you were “Not Quite Seventy Yet,” and got extra pudding privileges and front-row seating at movie night.

3. The “Alphabetical Age Club”
Those with A or B in their age joined a special elite group called The Alphas.
They had custom pins, a weekly brunch, and told everyone else they were “literally beyond numbers.”

As Fred put it: “When you're too fabulous for digits, darling, you graduate to letters.”

So, in classic Willowbend style, what began as a math hiccup became a badge of honor. Being 6B meant you were sharp, seasoned, and had survived at least three fashion comebacks.

And honestly? The rest of the town was a little jealous.


Friday, July 25, 2025

The Life and Timescapes of Joseph Priestley

Reprinted from Humanities: The Magazine of the National Endowment for the Humanities, with permission. Joseph Priestley Created Revolutionary “Maps” of Time Then he became the most controversial man in England Alyson Foster HUMANITIES, Spring 2024, Volume 45, Number 2 HUMANITIES: The Magazine of the National Endowment for the Humanities
Although Priestley is best remembered for the discovery of the gas we now call oxygen, he published on an astonishingly wide array of subjects, including education, English grammar, theology, and political theory. -- Wikimedia, Ellen Sharples, Joseph Priestley, ca. 1797. It’s a testament to the wide-ranging and unconventional nature of Joseph Priestley’s mind that no one has settled on a term to sum up exactly what he was. The eighteenth-century British polymath has been described as, among other things, a historian, a chemist, an educator, a philosopher, a theologian, and a political radical who became, for a period of time, the most despised person in England. Priestley’s many contradictions—as a rationalist Unitarian millenarian, as a mild- mannered controversialist, as a thinker who was both ahead of his time and behind it—have provided endless fodder for the historians who have debated the precise nature of his legacy and his place among his fellow Enlightenment intellectuals. But his contributions—however they are categorized—have continued to live on in subtle and surprisingly enduring ways, more than two hundred years after his death, at the age of seventy, in rural Pennsylvania. Take, for example, A Chart of Biography, which is considered to be the first modern timeline. This unusual, and unusually beautiful, pedagogical tool, which was published by Priestley in 1765, while he was in his thirties and working as a tutor at an academy in Warrington, England, tends to get lost in the shuffle of Priestley’s morenotable achievements—his seminal 1761 textbook on language, The Rudiments of English Grammar, say, or his discovery of nine gases, including oxygen, 13 years later. But the chart, along with its companion, A New Chart of History, which Priestley published four years later, has become a curious subject of interest among data visualization aficionados who have analyzed its revolutionary design in academic papers and added it to Internet lists of notable infographics. Recently, both charts have become the focus of an NEH-supported digital humanities project, Chronographics: The Time Charts of Joseph Priestley, produced by scholars at the University of Oregon. Even those of us ignorant of (or uninterested in) infographics can look at the painstakingly detailed Chart of Biography for a moment or two and appreciate how it has become a source of fascination. The two-foot-by-three-foot, pastel-striped paper scroll—which contains the meticulously inscribed names of approximately 2,000 poets, artists, statesmen, and other famous historical figures dating back three millennia—is visually striking, combining a formal, somewhat ornate eighteenth-century aesthetic with the precise organization of a schematic. Every single one of the chart’s subjects is grouped vertically into one of six occupational categories, then plotted out chronologically along a horizonal line divided into ten-year increments. Despite the huge quantity of information it contains, it is extremely user-friendly. Any one of Priestley’s history students could run his eye across the chart and immediately gain a sense of the temporal lay of the land. Who came first: Copernicus or Newton? How many centuries separate Genghis Khan from Joan of Arc? Which artists were working during the reign of Henry VIII? The chart was a masterful blend of form and function, and Priestley knew it. “Please now to inspect the Chart, and as soon as you have found the names, you see at one glance, without the help of Arithmetic, or even of words, and in the most clear and perfect manner possible, the relation of these lives to one another in any period of the whole course of them,” he boasted. “To a revolutionary generation intent on inscribing itself in history,” the historians Daniel Rosenberg and Anthony Grafton wrote, “the Priestley chart seems to have had an almost talismanic appeal” Library Company of Philadelphia / University of Oregon.n The most significant design feature of Priestley’s chart—as historians point out—was the way in which he linked units of time to units of distance on the page, similar to the way a cartographer uses scale when creating a map. (The artist Pietro Lorenzetti lived two hundred years before Titian and thus is situated twice as far from Titian as Jan van Eyck, who predated Titian by about a century.) If this innovation is hard for contemporary viewers to fully appreciate, it’s probably because Priestley’s representation of time has become a convention that’s used everywhere in visual design and seems so obvious it’s now taken for granted. To Priestley’s contemporaries, though, who were accustomed to cumbersome Eusebian-style chronological tables or the visually striking but often obscure “stream charts” created by the era’s chronographers, Priestley’s method of capturing time on the page revealed something revelatory and new—a way of seeing historical patterns and connections that would have otherwise remained hidden. “To many readers,” wrote Daniel Rosenberg and Anthony Grafton in their book, Cartographies of Time, Priestley’s Chart of Biography offered a never-before-seen “picture of time itself.” ​​​​​​Priestley wrote that individuals included in his Chart of Biography were selected according to “renown and not merit; acquired fame, and not deserved reputation.” —Detail from Joseph Priestley’s 1765 A Chart of Biography, Library Company of Philadelphia / University of Oregon It was no wonder, then, that eighteenth-century readers found themselves drawn to it. A Chart of Biography sold well in both England and the United States, accruing many fans along the way. Along with the New Chart of History, it would go on to be printed in at least 19 editions and spawn numerous imitations, including one by Priestley’s future friend Thomas Jefferson, who developed his own “time chart” of market seasons in Washington, and the historian David Ramsay, who acknowledged Priestley’s influence in his Historical and Biographical Chart of the United States. The time charts marked Priestley’s first major commercial success and played a key role in establishing his reputation as a serious intellectual, earning him an honorary degree from the University of Edinburgh, and helping him secure a fellowship nomination to the Royal Society of London. As much as anything he published, and he published a staggering amount—somewhere between 150 and 200 books, articles, papers, and pamphlets—Priestley’s time charts encapsulate his uniqueness as a thinker. Of his many intellectual gifts, his gift for synthesis—for knitting together the seemingly disparate things that caught his attention—might have been his greatest. On any given subject, his biographer Robert Schofield observed, Priestley had “contemporaries who were more profound and analytic,” but he “made systematic and operational what had been fragmentary, frequently impractical, and unused before him.” The charts, which he energetically promoted, also serve as a perfect example of the man’s seemingly compulsive need to share the knowledge he acquired with others. “The proper employment of men of letters,” he once wrote, “is either making new discoveries, in order to extend the bounds of human knowledge; or facilitating the communication of the discoveries which have been made already, in order to make an acquaintance with science more general among mankind.” In this regard, he wholeheartedly practiced what he preached. After Benjamin Franklin’s 1751 book on electricity piqued his interested in the subject, Priestley finagled an introduction to the book’s famous author, then proceeded to research and publish his own 700-page tome on the subject—a “history of the discoveries in electricity,” complete with his own experiments for interested readers. When the book’s plates required an illustrator, and he was unable to find a satisfactory one, he taught himself perspective drawing, then published a 1770 tutorial for aspiring artists titled A Familiar Introduction to the Theory and Practice of Perspective. (Fun fact: Priestley is often credited with discovering the erasing properties of rubber, as well as with naming the substance, which was perfectly suited for “rubbing” away errant pencil marks.) A bit of dabbling in the subject of optics followed, along with a history of the field, published in 1772. That same year, after explaining to friends over dinner one night how he could “sweeten” water by using a pig’s bladder to infuse it with carbon dioxide, he produced the 34-page illustrated pamphlet “Directions for Impregnating Water with Fixed Air.” “To make this process more generally known,” he wrote in its preface, “and that more frequent trials may be made of water thus medicated, at land as well as at sea, I have been induced to make the present publication.” Priestley’s “Pyrmont water”—or what’s commonly known today as carbonated water—was an instant hit in England and France and contributed to his receiving the Copley Medal of the Royal Society in 1773. Bolstered by the mistaken belief that the water contained antiscorbutic properties, Britain’s Royal College of Physicians instructed Captain James Cook to test out the carbonation process on his upcoming second sea voyage. Regardless of whether Cook actually carried out the experiment—sources conflict on this point—it was doomed to failure. Priestley’s fizzy Pyrmont water had no more vitamin C in it than uncarbonated flat water, and so it was equally useless when it came to preventing scurvy. But it was an unconventional, and thus fitting, way to mark Priestley’s foray into yet another scientific discipline. Schofield noted wryly: “This is the work for which Priestley became known to the world as a chemist; a description of how to make ‘soda water,’ wrongly assumed to have medicinal value.” Priestley turns up in another intriguing footnote related to Cook’s famous 1772 voyage—which is that he was, briefly, offered the opportunity to join the expedition as one of the ship’s astronomers. The invitation, which was extended to Priestley in a letter from the legendary botanist Joseph Banks, is the kind of tantalizing “what if” that counterfactual history is made from. Who knows what other subjects Priestley would have set his sights on if he’d had the opportunity to travel the globe? Electricity was just one of many natural phenomena that fascinated Priestley. This electrical machine he designed “for amateur experimentalists” appeared in a 1768 book written to educate the public about the subject. —Wikimedia / Wellcome Library, London. Wellcome Images A few weeks after receiving Banks’s invitation, the offer was rescinded. The reason was never fully made clear, but Priestley had a theory. “Mr. Banks,” he would write in a memoir that was published two years after his death, “informed me that I had been objected to by some clergymen . . . on account of my religious principles.” This may or may not have actually been the case. (Schofield contends that Banks jumped the gun, inviting Priestley to join the expedition without being authorized to do so.) But Priestley’s assumption was an understandable one. He was a nonconformist minister and a member of England’s Protestant Dissenter minority, one that opposed state involvement in religious issues, refused to subscribe to the Anglican church’s doctrine, and, as result, faced discrimination. (Dissenters like Priestley were, for instance, prohibited from matriculating at the University of Oxford or Cambridge until the nineteenth century.) And Priestley’s heterodox religious views were a matter of public record. He was, by that point, a seasoned veteran of the era’s pamphlet wars, having embroiled himself in controversy with his 1768 A Free Address to Protestant Dissenters on the Subject of the Lord’s Supper before going on, two years later, to attack major aspects of Calvinist doctrine in An Appeal to the Serious and Candid Professors of Christianity. Over the next two decades, his notoriety would only grow as he published a series of “brilliantly controversial works,” wrote the historian David Wykes, which “advanc[ed] ideas that caught up and convinced many of his readers and a generation of young ministers” but which also unleashed “a storm of anger.” Orthodox readers were not particularly keen to hear Priestley analyze the logical flaws he had discovered in the doctrine of atonement or to hear him out as he explained the ways in which their beliefs regarding the Holy Trinity were “inconsistent with reason and common sense.” In 1785, three years after it was published, his book An History of the Corruptions of Christianity was banned in Holland. Far from silencing him, the barrage of angry responses goaded Priestley into picking up his pen and producing more pamphlets filled with more arguments. “He entered each controversy with a cheerful conviction that he was right, while most of his opponents were convinced, from the outset, that he was willfully and maliciously wrong,” Schofield wrote. “He was able, then, to contrast his sweet reasonableness to their personal rancor while responding, in kind to irony and sarcasm.” Priestley’s religious provocations, combined with a potent mix of unpopular political views—his support for the American and French revolutions, his criticism of the slave trade, his commitment to religious liberty for Dissenters, his agitation for parliamentary reform—only served to cement his reputation, first as a radical, and then as a dangerous menace. By 1790, his enemies had come to see the soft-spoken minister as “the devil incarnate,” wrote Wykes. It was a comparison that Priestley, perhaps unwisely, did not shy away from. “If he really took me to be that malicious Being, above described,” he wrote gleefully of one of his foes, “he should not have trodden upon my cloven foot, or have kicked me so near my tail, without remembering that I had horns, and he had none.” Had he known what was coming, he might not have found it so amusing. One evening in the following July, Priestley received a warning that a large number of protestors had attacked a group of diners attending a Bastille Day celebration at the Birmingham Hotel. From there, the mob—which had grown significantly larger—moved on to destroy the Unitarian meeting house where Priestley presided as minister, ripping out the pews and setting them on fire. And, it seemed, they were now on their way to the Priestley residence. There was no time for Priestley and his wife to do anything but flee, and then watch as a crowd converged on their house and proceeded, with some difficulty, to burn it to the ground. “It being a remarkably calm, and clear moon-light,” Priestley recalled later: We could see to a considerable distance, and being upon a rising ground, we distinctly heard all that passed at the house, every shout of the mob, and almost every stroke of the instruments they had provided for breaking the doors and the furniture. For they could not get any fire, though one of them was heard to offer two guineas for a lighted candle; my son, whom we had left behind us, having taken the precaution to put out all the fires in the house, and others of my friends got all the neighbours to do the same. I afterwards heard that much pains was taken, but without effect, to get fire from my large electrical machine, which stood in the library. The attack on Priestley was personal—but it also wasn’t. Over the next several days, widespread terror and looting would engulf Birmingham as rioters clashed with local constables, targeting and destroying some two dozen homes, businesses, and churches belonging to prominent Dissenters and supporters of the French Revolution before authorities finally called in military dragoons to restore order. In the end, the violent events of July 1791 would come to be known as the Priestley riots, after their most high-profile victim, and the man who symbolized everything his “Church and King” enemies despised. On one of Priestley’s sweeping timelines, a few days of riots would not merit even a speck of ink. As a historian, Priestley was well aware of this fact. More than two decades earlier, long before his home and nearly all his worldly possessions were destroyed, he had studied the rise and fall of empires, mapped out across his New Chart of History, and attempted to counsel his readers about the lessons he had found there. “What a number of revolutions are marked upon it!” he wrote: What torrents of human blood has the restless ambition of mortals shed, and in what complicated distress has the discontent of powerful individuals involved a great part of their species! Let us deplore this depravity of human passions . . . but let not the dark strokes which disfigure the fair face of an historical chart affect our faith in the great and comfortable doctrine of an over-ruling Providence. In the weeks and months following the riots, this sense of perspective would be put to the test. The mob had destroyed not only Priestley’s home, his valuable collection of manuscripts, and his beloved, expensive lab equipment (worth around $115,000 in today’s dollars), but also whatever illusions he might once have harbored about his own safety. Far from cooling the depraved human passions against him, the historian Wykes wrote, the events in Birmingham had turned him into “a national figure of hate.” Priestley (shown here in a 1791 cartoon) invited controversy with his unconventional political and religious views, including his support for the French Revolution. Targeted by a mob in Birmingham and pilloried in the press, he was forced to flee England in the summer of 1794. —Science History Images / Alamy Stock Photo Priestley was satirized in caricatures, burned in effigies with his fellow radical, Thomas Paine. His adult sons were forced to flee the country. The prosecutions of fellow Dissenters that followed over the next few years were particularly frightening. “It shews that no man who is obnoxious,” he fretted in a 1793 letter, “however innocent, is safe.” And so, the following spring, at the age of sixty-one, he became a political refugee, following his sons Joseph and Harry across the Atlantic, where he was met with a hero’s welcome in the United States, eventually settling down with his family in the small town of Northumberland, one hundred forty miles northwest of Philadelphia, to assume the quiet life of a farmer. But farming didn’t suit Priestley and neither did quiet. Over the next several years, Priestley found himself back in political hot water, clashing this time with his friend John Adams and the Federalists, in danger, at one point, of being deported from the very country that had just offered him asylum. (Adams blamed Priestley’s Letters to the Inhabitants of Northumberland for contributing to his 1800 electoral defeat to Jefferson.) In his adopted homeland, Priestley returned to his scientific work with renewed zeal, but that, too, proved to be controversial, as he produced paper after paper attacking the experiments of his fellow chemists, who had moved on from Priestley’s outdated theory of “dephlogisticated air” to follow the more quantitative approach of scientists like Antoine Lavoisier. In doing so, Schofield observed, Priestley was “perversely fighting the new chemistry based on his discoveries” in a way that would come to exasperate even his admirers. In a eulogy written for the Académie Nationale des Sciences, the zoologist Georges Cuvier would famously proclaim Priestley to be “the father of modern chemistry [who] never acknowledged his daughter.” The century-old theory Priestley relied upon during his pneumatic experiments—which postulated that all flammable substances contained an element called phlogiston that was released into the surrounding air during combustion—proved to be wrong in the end. But the work he conducted in the final decade of his life was not a wasted effort, says Schofield. By relentlessly hounding his critics, by probing for the weak spots in their arguments, he had “forced the tightening of their experimental evidence,” and compelled them to up their scientific game. Surely that fact would have offered him some satisfaction. He understood that the pursuit of knowledge was not a solitary one. Even the most famous individuals, the ones whose accomplishments fill the pages of books, the ones whose names adorn charts of history, he once wrote, “enjoy . . . the labours and discoveries of others” before they “go off the stage,” leaving their work behind, to be advanced by those who follow them. Priestley labored as long as possible, through deteriorating health and advancing old age, continuing to conduct experiments until he was unable to leave his bed. On February 6, 1804, he called his assistant to his side with one final request for help on revisions to an unfinished manuscript that required his attention. He worked until he had assured himself that he had finished what was needed. “That is right,” he said. “I have now done.” Minutes later, he was gone. About the author Alyson Foster is an associate editor of Humanities magazine. Funding information In 2020, NEH awarded a Digital Humanities grant in the amount of $99,985, to Daniel Blake Rosenberg of the University of Oregon and Anthony Grafton of Princeton University to develop The Time Charts of Joseph Priestley, a digital, interactive reconstruction of Joseph Priestley’s influential infographics, A Chart of Biography and A New Chart of History. In 1994, a Public Programs grant ($45,166) supported the planning of an interpretation of the laboratory, library, and landscape at Joseph Priestley’s former home in Northumberland, Pennsylvania. NEH grants have funded numerous projects on the work and influence of major Enlightenment thinkers, including Voltaire, Jean-Jacques Rousseau, Benjamin Franklin, Adam Smith, John Stuart Mill, and Immanuel Kant, as well as lesser-known figures such as the abolitionist Jean-Jacques Dessalines and the Italian Jesuit priest Francesco Emanuele Cangiamila. Republication statement This article is available for unedited republication, free of charge, using the following credit: “Originally published as “The Life and Timescapes of Joseph Priestley” in the Spring 2024 issue of Humanities magazine, a publication of the National Endowment for the Humanities.” Please notify us at publications@neh.gov if you are republishing it or have any questions. Sources Cartographies of Time: A History of the Timeline by Daniel Rosenberg and Anthony Grafton; A Description of a Chart of Biography by Joseph Priestley; A Description of a New Chart of History by Joseph Priestley; Directions for Impregnating Water with Fixed Air by Joseph Priestley; The Enlightenment of Joseph Priestley: A Study of His Life and Work from 1733 to 1773 by Robert E. Schofield; Familiar Letters, Addressed to the Inhabitants of Birmingham by Joseph Priestley; A General View of the Arguments for the Unity of God by Joseph Priestley; “Joseph Priestley, Natural Philosopher” by Robert E. Schofield, Bulletin for the History of Chemistry, vol. 30, no. 2, 2005; Joseph Priestley: Scientist, Philosopher, and Theologian, edited by Isabel Rivers and David L. Wykes; “The Priestley Riots of 1791,” by R. B. Rose, Past & Present, November 1960, no. 18; Science, Medicine and Dissent: Joseph Priestley (1733–1804), edited by R.G.W. Anderson and Christopher Lawrence; The Theological and Miscellaneous Works of Joseph Priestley by Joseph Priestley. Article appears in HUMANITIES Spring 2024 Volume 45 Issue 2

Monday, June 23, 2025

Freeburg firm uncovering years of history during Joseph Priestley House restoration

 


As reported in The Daily Item, Sunbury, Pa. by

Marcia Moore,Mon, June 23, 2025 at 8:59 PM PDT


NORTHUMBERLAND — Owens Historic Preservation Services Ltd., of Freeburg, is in the midst of a four-month restoration project at Joseph Priestley House in Northumberland.

For company owner Bobbie Owens, the $145,000 project is more than a job.

“I went to school in Northumberland, and I was always over here,” she said, referring to the museum she and her crew are working in.

The project is a first for Owens, who has run her Snyder County-based business for 13 years mainly restoring exterior facades and windows on buildings in New Jersey, Massachusetts, Maryland and Philadelphia, including Historic Hope Lodge and Brandywine Battlefield historic site.

“I’ve never done an (extensive) interior project before,” she said as six workers toiled away, scraping off layers of paint with dental tools, heat guns and infrared strippers to unearth original woodwork on moldings, staircases and fireplaces and repairing plaster in several rooms of the building Joseph Priestley spent four years constructing as a home and laboratory between 1794 and 1798.

The English chemist, known for discovering oxygen, lived and worked there until his death at age 70 in 1804.

All of the home’s interior was locally sourced during construction, except for the ornate staircase which was built in Philadelphia, Owens said.

“We want to unveil the detail that’s been lost over the years. I love peeling back layers to reveal what was done years ago,” she said, pointing out the intricate detail put into the home more than two centuries ago. “We were not expecting the scallop detail in the dentil molding.”

Kevin Amey, a Cochranville furniture and wood restorer hired by Owens for the Priestley project, recognized the carved detail as “very English.”

Nearly all of the original work will be saved and restored, Owens said.

Building restoration was not always a career goal for Owens, who majored in English and history at Bucknell University. Following graduation in 2003, she worked with area counties serving children and families.

She relocated with her husband to Ipswitch, Massachusetts, where she responded to an “interesting description of a job” posted online by a start-up window restoration company run by Alison Hardy.

“I made a lot of mistakes and learned a lot,” said Owens, who volunteers with her former mentor on the Window Preservation Alliance while growing her own business that she started in 2012. “I love this because it uses my background in American history and English literature.”

In 2015, Owens was approved by the Pennsylvania Historical and Museum Commission (PHMC) as a specialty trades contractor.

PMHC is funding the $145,000 restoration of Joseph Priestley House, focusing on the library, dining room, parlor, hallways and a second floor bedroom. Much of the work has involved “painstakingly” removing decades of paint accumulation and “meticulously” repairing damaged plaster, PHMC Communications Director Jay Losiewicz said.

Following Priestley’s death in 1804, the home was privately owned until 1955 when the property was transferred to the borough of Northumberland. PHMC took ownership in 1965 and designated the home as a national historic landmark.

The interior hadn’t been painted in more than 40 years and no historic analysis of the paint had been done before the latest project, Losiewicz said.

Owens’ “diligent work has unveiled remarkable discoveries consistent with the Georgian era and hints of Victorian-era faux wood graining,” he said.

In a first-floor hallway, Owens discovered what is believed to be an original gray-green color on the walls. Each room is being painted with historically accurate shades of the gray-green as well as gold-beige and pale gray paint colors.

“This project will bring crispness and elegance back to architectural details, presenting visitors with an interior that largely mirrors its appearance during Priestley’s time, unseen for nearly two centuries,” Losiewicz said.

The restoration is expected to be finished in July, with the museum reopening soon after. Last year, Joseph Priestley House had 975 visitors during its 250th anniversary celebration of Priestley’s discovery of oxygen, operations manager Murrie Zlotziver said.


Monday, September 23, 2024

A Quantum Leap in Computing Etymology

Computational devices have been employed by humans for thousands of years to aid in a variety of activities. The invention of the abacus likely occurred in Sumeria around 2700 to 2300 B.C.E., which used a base 60 system, but the oldest known example of an abacus is the Salamis Tablet from Greece (300 B.C.E.) [Samoly, K., History of the Abacus, Ohio Journal of School Mathematics, N. 65, Spring, 2012, p. 58]. We have evidence of geared computational devices such as the Antikythera Mechanism dating to about 87 B.C.E. [Price, Derek de Solla, Gears from the Greeks. Transactions of the American Philosophical Society N.S. 64, no. 7. Philadelphia: American Philosophical Society, 1974]. 

However, a review of the Third Edition of the Oxford English Dictionary (OED) [Oxford English Dictionary, August 2024, [www.oed.com/dictionary/computer-n?tab=meaning_and_use#861811 1] states that the word ‘computer’ was first recorded as used in the year 1613 by Richard Braithwaite with the meaning “One who computes; a calculator, reckoner; spec. a person employed to make calculations in an observatory, in surveying, etc.” [Bold Italics added for emphasis]. 

According to the same OED entry [ibid.] the first use of the word ‘computer’ to refer to a device to perform computations, as opposed to a person, was in 1869 in a novel by M. Harland, in Pemie's Temptation. In this work, Harland refers to a "patent computer". The use of the word 'patent' as an adjective in this context, clearly, has the meaning “easily recognizable; obvious” and was not referring to a mechanical device. This is similar to the use of the term “patently false” with the meaning of “obviously false”. Therefore, the term ‘patent computer’ was being used with the meaning of “a person exhibiting the characteristics of a professional computer” (i.e., a person). Hence, this use of the word “computer” in 1869 was not referring to a machine at all! 

Furthermore, there is no evidence whatsoever that anyone else picked up on this sense of the word as a ‘mechanical computational device’ until William Cox did in the 1890s, more than twenty years later. Of course, the OED [ibid.] also references an appearance of the word ‘computer’ on 22 January 1897, in Engineering [Note: A London, UK Publicaton] 104/2, quoting, “This was a computer made by Mr. W. Cox. He described it as of the nature of a circular slide rule.” Thus, according to the OED, William Cox was the neologist who used the term ‘computer’ when referring to a device that performed computation on that date. 

However, the evidence is now clear that the OED was also incorrect by at least five years here.  As far as we now know, William Cox named his circular computing devices ‘computers’ in 1892 for his “Electric Wire Computer” [in The Electrical Engineer, Aug. 10, 1892, p. 139], and we also know that he registered his company “Cox Computer Company” in New Jersey, US in 1893, specifically for manufacturing and selling devices that perform computations of various types in a similar manner. 

Of note, in 1891 he describes these devices as “calculators,” so, it is safe to assume that the first year of use of the term 'computer' by Cox was in 1892. Hence, we conclude that William Cox is the pioneer of the term ‘computer’ in referring to a device that performs computations, and that he did so as early as 1892.

We additionally note that in 1895, “The Cox Computer Company has recently been organized for the purpose of manufacturing and introducing the various forms of mechanical computers designed by Mr. William Cox of Stapleton, N.Y., where the company will have its headquarters until removal to New York City. [Note: This refers to the registration of the company in New York State as a foreign entity two years after his registration in New Jersey.] The scale upon which operations will be conducted and the number of new applications that will be made, such as power transmissions of belting, gears, etc. is said by the parties to warrant a material reduction in price and choice of style and material. A circular has been issued announcing these innovations.” [Progressive Age, Vol. 13, no. 23, Dec. 2, 1895, p. 583, Progressive Publishing, New York. google.com/books/edition/Gas_Age/dPI9AQAAMAAJ?hl=en&gbpv=1 &dq=%22progressive+age%22+computer+1895&pg=PA583&printsec =frontcover]. 

Cox’s groundbreaking innovations have had a profound and lasting impact on technology. While Cox was not the first to make a device that computed mathematical functions, nor the first to try to come up with a term to describe a device that does mathematical computation, his terminology is the one that has endured to this day. 

Other examples of attempted naming of such devices during the 19th Century were: 
  •  In 1822 and again in 1837 Charles Babbage devised, first, the Difference Engine, and then the Analytical Engine. 
  •  In 1857 Orlando L. Castle and Thomas Hill developed devices they called an Arithmometer. 
  •  From the 1850s to the 1870s there were many inventions called Computing or Calculating Machines by Parmalee, Smith, Alexander, Rowland, Davies, Mendenhall, Groesbeck, Grant, Robjack, Spaulding, and Baldwin, to mention a few. 
  •  In 1880 Herman Hollerith devised the Tabulator which was eventually used to perform the 1890 census and evolved after the turn of the century into the IBM Corp. 
  •  In 1884 the French engineer Philbert Maurice d'Ocagne (1862–1928) devised a graphical calculating device that was called either a nomograph, alignment chart, or abac. These devices were two-dimensional diagrams designed to allow the approximate graphical computation of a mathematical function. 
  •  In 1887 Dorr Felt, filed a patent for the Comptometer, the first commercially successful key-driven mechanical calculator. The success of the Comptometer caused others to call their computational devices “comptometers”, much like the term "Xerox" is used for a copier. 
  •  In 1892, Walter Hart published a book "The Equationor or the Universal Calculator" within which he describes a circular slide rule to perform computations. 

Yet, the term to describe automated devices that perform computations is ‘computer’, the term coined by Cox. This fact, in no way, detracts from the contributions of other early computer pioneers, including Turing and von Neumann. 

It is curious to note that in the mammoth undertaking by Herman Goldstine in his book “The Computer from Pascal to von Neumann” [Goldstine, Herman, The Computer from Pascal to von Neumann, Princeton University Press, 1972, 378pp.] there is only a passing, one-line reference to William Oughtred for inventing the slide rule on page 4, and no mention, whatsoever, of William Cox, who coined the term ‘computer’ itself! So, to all those interested in the history of computers, while you might have thought that it had been 127 years since the computer was invented, you can be rest assured that, as of today, the computer is really five years older -- 132 years! A quantum leap, indeed!

Sunday, December 31, 2023

February 6, 2024 Marks 220 Years Since the Death of Joseph Priestley

We last visited the gravesite of Joseph Priestley in Northumberland, PA, on February 6, 2004, on the commemoration of the 200 years since his death.
If you're interested to see the post on the event click here.

The John Proctor Sundial of 1644

Photograph Courtesy of the Peabody Essex Museum



























In May 1907, the Essex Institute of Salem, Massachusetts
reported that they had received a sundial as a gift from Abel
Proctor, formerly belonging to one of his ancestors, John
Proctor, the witchcraft victim (Salem Witchcraft Trials, 1692).  
This is an example of one of the earliest known American
sundials.

John Proctor lived with his wife Elizabeth in what is now Peabody, 
Massachusetts. They were respected farmers and keepers of a 
tavern. Mary Warren, one of the "afflicted girls" of Salem Village 
was a servant in the Proctor household. Early in 1692, Proctor 
had been an outspoken critic of the witchcraft proceedings and 
of the antics of the Village girls. He and his wife were accused of 
witchcraft and sent to prison. Both were convicted of witchcraft, 
and John was hanged on August 19. Elizabeth, who was found to 
be pregnant, was spared execution and outlived the 1692 hysteria. 
The story of the Proctors was later made famous by Arthur Miller in 
his play "The Crucible."

The "Proctor" sundial is 12 inches to the side, and the gnomon 
reaches 6 inches above the dial at its highest point.  It is inscribed 
with the date "1644".

In 1995 I decided to make a reproduction of this sundial with some 
notable changes.  First, since I had every intention of using the 
sundial and I wanted to use it in a vertical position, I reversed the 
order of the numerals, with progressing time going from the right 
side counterclockwise to the left.  Next, I decided to make a more 
elaborate gnomon.  The final change that I made was I adjusted the 
spacing of the hour marks for the latitude where it was intended to 
be used.  I also did not puncture the surface for the mounting rivets. 

The image below is the reproduction Proctor Sun Dial that I made. 
It is in my garden.